Editing and Montage Film - 638 Words

â€Å"Once I understood that editing is crucial to how a film is made, I was hooked. Imagine: placed in your hands is fantastic raw footage that 250 people have created during shooting. You and the director are then allowed to sculpt this raw material into something that has structure, rhythm and pace, that builds characters, that creates dramatic peaks and lows and that hopefully has a good ending. Editing is an incredibly rewarding profession. Film editing is described, when typed in to google as â€Å"the activity of selecting the scenes to be shown and putting them together to create a film† `but it is much more than just that. If done well it is invisible but also has the ability to control a film, even control the viewer watching the film. The process of editing film has been around nearly as long as film itself. After the cinema of attractions, people realised a narrative story could be constructed by splicing ends of celluloid together to tell a story. The most famous early example of this is The Great Train Robbery (1903) directed by Edwin S. Porter. Before Porters film the cinema of attractions consisted of single shot films of streets and crowded areas, projected later that day so that the people could see themselves on the big screen. As the 1900’s marched on so did editing and montage. The Great Train Robbery had established that it was possible to create a narrative by cutting film. The next decade would build on that and establish rules which apply to films today. OneShow MoreRelatedFilm As An Art Form1643 Words   |  7 Pagesimported and old Russian films in cinemas soon increased, paving the way for emerging Soviet directors to produce new films. This movement, although censored by the government, wanted to be free to experiment with film as an art form. A method of this was viewing editing as a tool instead of a necessity. Both Sergei Eisenstein and Vsevolod Pudovkin are key directors and theorists of the Soviet film industry who used the freedom of editing to create new exciting theories of montage which have been implementedRead MoreMontage From The Soviet Era Essay1353 Words   |  6 PagesMontage The use of montage dates back to the days of Eisenstein and it has greatly transformed the film industry in several major ways. Montage has been used in the film industry to combine several series of short shots into a continuous film that can be watch by audience. This essay is aimed at illustrating the history of Montage from the Soviet era in the 1930s especially the use of the Soviet montage theory to better the quality of films that we watch today. The connotation of the word â€Å"montage†Read MoreFilm As An Art Form1721 Words   |  7 Pagesand old Russian films in cinemas soon increased, this lead the way for emerging soviet directors to produce new films. This movement although censored by the government, wanted to be free to experiment with film as an art form. A method of this, was viewing editing as a tool instead of a necessity. Sergei Eisenstein is one of the key directors and theorist in soviet film; the work of Vsevolod Pudovkin also. Both used the freedom of editing, to create new exciting theories of montage, to which canRead MoreThe Technique Of Film Video Editing History Theory And Practice1100 Words   |  5 PagesTechnique of Film Video Editing History Theory and Practice we can clearly see how editing has changed from the earliest films, when editing was nonexistent to a time when the camera never moved when shooting a scene to a time where you can use montage concepts to make a film more dynamic for the viewer. These were all different stages editing has gone through to get to the point where can use editing as a story telling tool which is just as important as the any other part of creating a film. EdwinRead MoreDo The Right Thing Analysis1257 Words   |  6 Pagescontribute to the significance of a film. Cinematography, is one important element in which the camera is used to capture visual images through a number of other controllable elements such as; camera lens, framing, scale, movement etc. Editing is another fundamental component of film studies in which different shots are put together in a coherent sequence in order to make meaning of a film. In the film â€Å"Do The Right Thing† by Spike Lee, cinematography and editing serve as critical components to emphasizeRead MoreMotivational Essay : An Interview With Film Editor Walter Murch1391 Words   |  6 PagesMOTIVATIONAL ESSAY JOURNAL ALEXANDROS PATERIMOS 21700191 EDITING Y1 T1 SUMMARIES OF READINGS: AN INTERVIEW WITH FILM EDITOR WALTER MURCH: †¢ to make a convincing action sequence: - approximately 14 different camera angles/minute needed - too many more/less than 14 will disengage audience †¢ perceiving brain reacts differently to new visual info than to something seen before †¢ engaging dialogue scenes need approximately 4 different camera angles/minute - too many more will make it hard for audienceRead MoreLev Vladimirovich Kuleshov and The Moscow Film School Essay918 Words   |  4 PagesWhen film first started gaining popularity, it want’s as obvious that be connecting two different images, we would assume their relation. Film simply document events that occurred, it wasn’t until the enterprising pioneers of early cinema took hold that they began to manipulate their audience into following a story their way and feeling it in those exact steps. Lev Vladimirovich Kuleshov a Soviet filmmaker and film theorist in the 1920s who taught at and helped establish the world’s first film schoolRead MoreClassical Movie Theories And Realism1433 Words   |  6 PagesOption 2 Classical film theories are generally divided into two main camps. They have been categorized as Formalism and Realism. The formalist approach looks at the structure and form of the film. It analyzes the method by which the story materializes and how it forces the viewer to react based on the way it is presented. It incorporates character development, photographic composition, camera movement, set design, editing, etc. to that end. The realist approach scrutinizes how a film represents â€Å"realityRead MoreWho was Vsevold Pudovkin? Essay1467 Words   |  6 PagesGriffiths film â€Å" Intolerance† he was inspired to follow film. He applied to the Sate Institute of Cinematography at Moscow in 1919. However in 1919 film was still a very young art form and ideas and techniques that are commonplace today were just being developed at that time. Pudovkin most influential role in the world cinema was his theories on editing. He recorded that editing is an aspect of film art form, w hich completely different compared to other forms of art. He believed editing shots togetherRead MoreHow Did The Odessa Steps Sequence Influence The Theory Of Montage1144 Words   |  5 Pagestheory of montage in film? The Battleship Potemkin, is a soviet film directed by Sergei Eisenstein in 1925. Sergei Eisenstein was a brief student at The Kuleshov Workshop, which was a class run by Soviet filmmaker, Lev Kuleshov at the Moscow Film School. The school was established in 1919, and is the world’s first film school. The Kuleshov Workshop explored the effects of juxtaposition in film, and how sequential shots convey a specific meaning. Kuleshov and his students analyzed many films for research